MONTAGE LANDSCAPES
Back in the old days of film photography without panoramic digital cameras, if I wanted to take an image of something really large, I would shoot multiple pictures and tape them together in my albums. This came to me again when I was in India and took a series of pictures of an open landscape. This was the first in this series. In this painting, from 1991, the arrangement was inspired by lunar photographs, which did much the same thing.
Later, I learned to paint on paper and began to arrange these 'cards' as though they were photographs. This led to other ideas, such as puzzled landscapes, puzzles missing pieces, and, in a bit of a stretch, painting positive and negative images. I ended this series around 2004.
But I later picked it up again when I decided to paint a trompe l'oeil of taped photographs. This series started with2014's Perspectives. Since then, I've painted one every couple of years.
Later, I learned to paint on paper and began to arrange these 'cards' as though they were photographs. This led to other ideas, such as puzzled landscapes, puzzles missing pieces, and, in a bit of a stretch, painting positive and negative images. I ended this series around 2004.
But I later picked it up again when I decided to paint a trompe l'oeil of taped photographs. This series started with2014's Perspectives. Since then, I've painted one every couple of years.
The tape and shadowing have a striking three-dimensional effect in this six-foot painting. The landscape is based on photographs I shot in West Houston over 20 years ago - an area of town that has changed significantly. I painted the same landscape as seen today in the billboard to the right of center, using a photo shot with a smartphone in panoramic mode, emphasizing the technological change along with the physical change.
A tribute to the men of the twentieth century who fought and sacrificed to preserve freedom and destroy tyranny. These images are based upon photographs from World War Two, some of which have been manipulated so that all the fighting men move to the right and wounded to the left. The arrangement leads the eye from the lower left of the piece to the upper right, where a contemporary mother and child play peacefully in a field of flowers, beneficiaries of a precious gift.